We had previously arrived at King Midas as the ultimate existential hero. Meaning is impossible to produce ex nihilo and by attempting this we only find ourselves lost in a meaningless world. Yet, is there a place to go after this? Is it true that—as we previously concluded—any existentialism necessarily ends in anxiety and despair? Indeed, it would appear that the conclusion was premature. King Midas does not exist in a vacuum, but is only part of a more complex continuum. Closely related, but on the opposite side, one finds Hermes. It is somewhere between the perilous Midatic-Hermetic chasm that we may find an answer to Camus’ fundamental question.
Unlike primitive aesthetic assessments (e.g. Apollonian-Dionysian), the Midatic-Hermetic is grafted onto a parabola. The inflection point signifies a tectonic shift from absolute meaninglessness to equivocal encryptions of meaning. At this point, which is, itself, always already an origin splitting apart from itself (attempting to generate what-it-is by becoming-what-it-is-not), one finds the precarious scaffolding for a theory of meaning. Scaffolding, to be sure, is of terminological importance. Whereas previous theories have failed at the very beginning by attempting to locate a foundation (arche), the aporias of meaning have suggested that any theory of meaning will be without foundation (an-arche). Thus, the indeterminacy of this inflection point cannot be under-determined.